Still, there’s one area that both films are both in sync for the good and that is with their small but terrific casts. ![]() That’s not to say that both films can’t coexist, but you can’t help but feel Ex-Machina did it better. While plot-wise very different, the setting, tone and power dynamic of scientist and subject are intrinsically linked to Garland’s head-twattery of AI and corruption from 2015. Another problem is the overtly familiar feeling of having seen this before, most notably in Alex Garland’s Ex Machina. To delve into them here would be spoilers but one particular thread involving a cop (played amiably by Dylan Baker), who is a friend of Henry’s who visits the estate form time to time does raise questions of believability. While unpredictability is a great asset for any film to posses, Elizabeth Harvest does carry moments where suspension of disbelief is certainly required. Not bad from the writer of Snakes On A Plane. The non-linear narrative adding further to its complicated charms. Throughout Elizabeth Harvest’s runtime you’ll think you’ve pinned it down before it squirms away again challenging you to think again. Writer-director Sebastian Gutierrez has concocted a head-fuck of sci-fi with a splicing of horror that leads you one way then changes direction on a dime. It’s pleasing to report that after a quite shocking moment early on, whatever you think you knew about this film is completely swept from under your feet. It’s fair to say that on paper the plot to Elizabeth Harvest is intriguing while not exactly awe-inspiring, and after watching it for 10 minutes or so you’d be remiss for thinking you’ve nailed the story and think you’re in for another predictable hour and 40 minutes. ![]() What she finds inside is both shocking and world-changing to her. ![]() When Henry goes away on business, Elizabeth naturally investigates the room she’s been forbidden from entering. Things aren’t helped with the dispassionate house staff of Claire (Carla Gugino) and Oliver (Matthew Beard) seemingly watching her from afar at any given moment. However, something feels off to Elizabeth, and her suspicions are compounded further when Henry decrees that in this house of the future that Elizabeth has free reign except For one room that Henry forbids her from entering. Newlyweds Elizabeth (Abbey Lee) and scientist Henry (Ciarán Hinds) arrive to his futuristic estate where an array of fancy clothes, even fancier dinners and where every want or need could possibly be met are lying in wait for our bride. All these themes and more are present in one of this year’s most intriguing, if not entirely groundbreaking, sci-fi-horror films, Elizabeth Harvest. The ethical and immoral choices we make in our lives.
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